My rating: 3 of 5 stars
Not bad. The story has an interesting, but not original premise*:
Frankie wants to get her parents’ (especially her father’s) approval. Green and naive, she becomes an army nurse and ships off to Vietnam. Why? Her brother’s friend, the wise and dreamy Rye tells her “Women can be heroes”. Gradually she realizes what a serious decision she made but still clings to her dream of making a difference in the world:
Back in the world, when Frankie had told her friendsthat she’d hoped to make a difference over here, hoped to make her family proud, they’d rolled their eyes and acted impatient with patriotism…” p. 52
Once she returns stateside, she has trouble reintegrating into everyday life, suffers from PTSD, and develops other side effects from the trauma. Eventually, after several personal setbacks and near disasters, she starts to heal.
However, I have some issues with the book. Some of the story beats are too coincidental. I won’t spoil the story, but I noticed it early in the book, on page 19, and several other imes. I consider this lazy storytelling.
There are also some eye-rolling moments. For instance:
Ethel stood in the midst of the chaos like an Amazon goddess, directing traffic, poistioning the casualties, pointing out what to do with the wounded.”
(p. 26)
Had it always been like this? Had mom always been a shadow woman, held together by vodka and hair spray?”
(p.230)
I will come clean: I really did not like Frankie. There were points where I wanted to throw the book against the wall! I wrote notes to her: “BE ANGRY, NOT DRAMATIC!” but she did not listen to me. She kept making poor choices. Oh Frankie, when will you ever learn! And from my earlier description of him, I didn’t like Rye either. His charm and good looks are just a facade, Frankie!
Also, too much vomiting. Why?! As I have pointed out in previous blog posts, “Once is unnecessary, more than once is a big turn-off for me. Find another way to show that a character is upset. Need I say more?”
In contrast, some passages brought tears to my eyes. For instance, her interactions nursing wounded soldiers and the native children were heartwarming.
Frankie’s interaction with the native children on MEDCAP trips was the only insight into the local life. This seems culturally insensitive, Hannah keeps the story mostly centered on the insulated life of the medical center. From nights of non-stop incoming wounded (known as “MASCAL) bombings, or downtime life for Frankie revolves around the doctors and nurses, blood and guts…all playing out to a soundtrack of late 60’s music.
I was disappointed in the ending. Why must Frankie be saved by a returning, albeit broken prince? Hannah does this in other novels. For a novel that is supposed to be empowering for women, this ending is, in my opinion, contradictory as well as implausible.
It makes for a good book club choice. Some people found the book engrossing, others agreed with me, especially about the ending.
*My final thought: This is a well-intentioned story that is a cross between Mash and China Beach but with less likable, less developed characters.
And there it was: remembrance mattered. She knew that now; there was no looking away from war or from the past, no soldiering on through the pain.”
(p. 464)